10th Annual Grammy Awards
| 10th Annual Grammy Awards | |
|---|---|
| Date | February 29, 1968 | 
| Location | Chicago, Los Angeles, Nashville and New York | 
| Hosted by | Stan Freberg | 
| Television/radio coverage | |
| Network | ABC | 
The 10th Annual Grammy Awards were held on February 29, 1968, at Chicago, Los Angeles, Nashville and New York. They recognized accomplishments of musicians for the year 1967.[1][2]
Award winners
- "Up, Up and Away" — The 5th Dimension - Johnny Rivers & Marc Gordon, producers
 
- “Somethin’ Stupid” — Nancy Sinatra and Frank Sinatra - Jimmy Bowen & Lee Hazelwood, producers
 
- “Ode To Billie Joe” — Bobbie Gentry - Kelly Gordon & Bobby Paris, producers
 
- “My Cup Runneth Over” — Ed Ames - Jim Foglesong & Joe Reisman, producers
 
- “By The Time I Get To Phoenix” — Glen Campbell - Al De Lory, producer
 
- “Sgt. Pepper's Lonely Hearts Club Band” — The Beatles - George Martin, producer
 
- “Ode To Billy Joe” — Bobbie Gentry - Kelly Gordon & Bobby Paris, producers
 
- “My Cup Runneth Over” — Ed Ames - Jim Foglesong, producer
 
- “It Must Be Him” — Vikki Carr - Tommy Oliver & Dave Pell, producers
 
- Francis Albert Sinatra/Antonio Carlos Jobim — Frank Sinatra & Antonio Carlos Jobim - Sonny Burke, producer
 
- "Up, Up and Away" — The 5th Dimension - Jimmy L. Webb, songwriter
 
- “Ode To Billie Joe” — Bobbie Gentry - Bobbie Gentry, songwriter
 
- “My Cup Runneth Over” — Ed Ames - Tom Jones & Harvey Schmidt, songwriters
 
- “Gentle On My Mind” — John Hartford - John Hartford, songwriter
 
- “By The Time I Get To Phoenix” — Glen Campbell - Jimmy L. Webb, songwriter
 
- Bobbie Gentry
- Jefferson Airplane
- Harpers Bizarre
- The 5th Dimension
- Lana Cantrell
Children's
Classical
- Best Classical Performance - Orchestra - Igor Stravinsky (conductor) & the Columbia Symphony Orchestra for Stravinsky: Firebird and Petrouchka Suites
 
- Best Classical Vocal Soloist Performance - Francesco Molinari-Pradelli (conductor), Leontyne Price, & the RCA Italiana Opera Orchestra for Prima Donna, Volume 2
 
- Best Opera Recording - Thomas Z. Shepard (producer), Pierre Boulez (conductor), Walter Berry, Ingeborg Lasser, Isabel Strauss, Fritz Uhl & the Paris National Opera Orchestra & Chorus for Berg: Wozzeck
 
- Best Classical Choral Performance (other than opera) - Leonard Bernstein (conductor) & the London Symphony Orchestra & Choir for Mahler: Symphony No. 8 in E Flat Major (Symphony of a Thousand)
- Eugene Ormandy (conductor), Robert Page (choir director), the Temple University Choir & the Philadelphia Orchestra for Orff: Catulli Carmina
 
- Best Classical Performance - Instrumental Soloist or Soloists (with or without orchestra)
- Best Chamber Music Performance - Ravi Shankar & Yehudi Menuhin for West Meets East
 
- Album of the Year, Classical - John McClure (producer), Leonard Bernstein (conductor), various artists & the London Symphony Orchestra for Mahler: Symphony No. 8 (Symphony of a Thousand)
- Thomas Z. Shepard (producer), Pierre Boulez (conductor), Walter Berry, Ingeborg Lasser, Isabel Strauss, Fritz Uhl, Choeur Nationale de Paris & the Orchestra of Paris National Opera for Berg: Wozzeck
 
Comedy
Composing and arranging
- Best Instrumental Theme - Lalo Schifrin (composer) for "Mission: Impossible"
 
- Best Original Score Written for a Motion Picture or a Television Show - Lalo Schifrin (composer) for Mission: Impossible
 
- Best Instrumental Arrangement - Burt Bacharach (arranger) for Alfie
 
- Best Instrumental Arrangement Accompanying Vocalist(s)/Best Background Arrangement - Jimmie Haskell (arranger) for "Ode to Billie Joe" performed by Bobbie Gentry
 
Country
- Best Country & Western Solo Vocal Performance, Female
- Best Country & Western Solo Vocal Performance, Male
- Best Country & Western Performance Duet, Trio or Group (Vocal or Instrumental) - Johnny Cash & June Carter for "Jackson"
 
- Best Country & Western Recording - Al De Lory (producer) & Glen Campbell for "Gentle on My Mind"
 
- Best Country & Western Song - John Hartford (songwriter) for "Gentle on My Mind" performed by Glen Campbell
 
Folk
Gospel
- Best Gospel Performance - Porter Wagoner & The Blackwood Brothers for More Grand Old Gospel
 
- Best Sacred Performance
Jazz
- Best Instrumental Jazz Performance, Small Group or Soloist With Small Group - Cannonball Adderley for Mercy, Mercy, Mercy performed by the Cannonball Adderley Quintet
 
- Best Instrumental Jazz Performance, Large Group or Soloist with Large Group - Duke Ellington for "Far East Suite"
 
Musical show
- Best Score From an Original Cast Show Album - Fred Ebb, John Kander (composers), Goddard Lieberson (producer) & the original cast (Joel Grey, Jill Haworth, Lotte Lenya, Jack Gilford & Bert Convy) for Cabaret
 
Packaging and notes
- Best Album Cover, Graphic Arts - Jann Haworth & Peter Blake (art directors) for Sgt. Pepper's Lonely Hearts Club Band performed by The Beatles
 
- Best Album Cover, Photography - Robert Cato & John Berg (art directors) & Roland Scherman (photographer) for Bob Dylan's Greatest Hits performed by Bob Dylan
 
- Best Album Notes - John D. Loudermilk (notes writer) for Suburban Attitudes in Country Verse performed by John D. Loudermilk
 
Pop
- Best Vocal Performance, Female - Bobbie Gentry for "Ode to Billie Joe"
 
- Best Vocal Performance, Male - Glen Campbell for "By the Time I Get to Phoenix"
 
- Best Performance by a Vocal Group
- Best Performance by a Chorus - Johnny Mann for "Up, Up and Away" performed by the Johnny Mann Singers
 
- Best Instrumental Performance - Chet Atkins for Chet Atkins Picks the Best
 
- Best Contemporary Female Solo Vocal Performance - Bobbie Gentry for "Ode to Billie Joe"
 
- Best Contemporary Male Solo Vocal Performance - Glen Campbell for "By the Time I Get to Phoenix"
 
- Best Contemporary Group Performance (Vocal or Instrumental)
- Best Contemporary Single - Johnny Rivers & Marc Gordon (producers) & The 5th Dimension for "Up, Up and Away"
 
- Best Contemporary Album - George Martin (producer) & The Beatles for Sgt. Pepper's Lonely Hearts Club Band
 
Production and engineering
- Best Engineered Recording - Non-Classical - Geoff E. Emerick (engineer) for Sgt. Pepper's Lonely Hearts Club Band performed by The Beatles
 
- Best Engineered Recording, Classical - Edward T. Graham (engineer) & the Philadelphia Brass Ensemble for The Glorious Sound of Brass
 
R&B
- Best R&B Solo Vocal Performance, Female - Aretha Franklin for "Respect"
 
- Best R&B Solo Vocal Performance, Male - Lou Rawls for "Dead End Street"
 
- Best Rhythm & Blues Group Performance, Vocal or Instrumental - Sam & Dave for "Soul Man"
 
- Best Rhythm & Blues Recording - Aretha Franklin for "Respect"
 
Spoken
- Best Spoken Word, Documentary or Drama Recording - Everett M. Dirksen for Gallant Men
 
References
- ^ Campbell, Mary (1 March 1968). "Up, Up and Away Picks Up 6 Grammy Record Awards". The Sun. Retrieved 1 May 2011.
- ^ "1967 Grammy Award Winners". Grammy.com. Archived from the original on 12 October 2013. Retrieved 1 May 2011.