Gustav Lange (13 August 1830 – 20 July 1889) was a German composer known mainly for his melodious salon music for the piano. 
  Life
 Lange was born in Schwerstedt, near Erfurt, Prussian Saxony, in 1830. He received initial musical training from his father on the piano and organ, followed by conservatory studies in piano, organ, thorough bass, and composition – probably at the Royal Institute for Church Music in Berlin.[1] His teachers included August Wilhelm Bach, Eduard Grell, and Albert Löschhorn. 
He lived for many years in Berlin and died at Wernigerode in 1889. 
 Music
 Encouraged by the success of some 1860s compositions, Lange produced a large number of works, most of which were light and popular piano pieces of which he wrote around 500. Edelweiss op. 31 and Blumenlied op. 39 (alternatively known as Flower Song in English) are perhaps two of his best-known works today. 
A contemporary English source says: "Many of these pieces are very pleasing and pretty in character, but they are not marked by any very striking features".[2] 
 Selected compositions (piano)
      | Lamentation d'une jeunne fille op. 10Farewell! op. 15Prière à la Madonne op. 17Fête militaire op. 18Le Retour de soldat op. 19Sehnsuchtsklänge op. 20Die Libelle op. 24Jägerfahrt op. 26Dolorosa op. 28Edelweiß op. 31Blumenlied op. 39Fischerlied op. 43Langage d'amour op. 45Au bivouac op. 47Fleurs fanées op. 48Minnelied op. 51Einsame Tränen op. 52Hortensia op. 53Dein Eigen op. 54Liebesahnung op. 75Heidenröslein op. 78Aus Herzensgrunde op. 85Blumenmärchen op. 93Immortellen op. 94Mein Sohn, wo willst du hin so spät? Op.165
 (Arrangement of Felix Mendelssohn's Winterlied (No.3) from 6 Gesänge, Op.19a for single piano)
 Drei Fantasie-Transkriptionen über Opernarien von G. Meyerbeer op. 207Offenbach-Fantasien op. 208Valse mélancholique op. 210Zwei Waldidyllen op. 211Vier Lieder von Anton Rubinstein frei übertragen op. 212Fantasie-Transkriptionen über drei Lieder von Franz Abt op. 213Paraphrase über die Schlummerarie aus der Oper 'Die Stumme von Portici' von D.F.E. Auber op. 214Paraphrase über die Romanze der Ines aus der Oper 'Die Afrikanerin' von G. Meyerbeer op. 215Fantasie-Polonaise nach Motiven von B. Bilses beliebter Königs-Polonaise op. 216Drei Fantasie-Transkriptionen über Lieder und Arien von W.A. Mozart op. 217
 | Die Maccabäer op. 237Das goldene Kreuz op. 254Der Landfriede op. 255Sérénade irlandaise op. 409Melitta op. 417Almröschen op. 418Im Ahnenschloss op. 419Blumenklage op. 420Begegnung auf der Alm op. 421Les Pages de la Reine op. 422Aus der Kindheit frohen Tagen op. 427Frohes Wandern op. 428Die Lotosblume op. 429Marguerite op. 430Lieb' Mütterlein op. 431Marcella op. 432L'Adieu op. 433Gitanella op. 434La Danse au Tyrol op. 435Après le travail op. 436Plaisirs de l'automne op. 437Im Zwielicht op. 445Von Zweig zu Zweig op. 447Graziosa op. 448Sérénade du gondolier op. 451La jeunne fille de Pologne op. 453Liebesreigen op. 455Gavotte favorite op. 457Heckenrosen op. 462Les Grenadiers du Roi op. 464Marche des Mineurs op. 474Calme-toi! op. 475La Petite flatteuse op. 480Jour de répos op. 485Fleur printanière op. 487Danse des fleurs op. 489Folâtrerie op. 491Les Mois de roses op. 493
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  References
   - ^ It is not exactly clear at which conservatory he studied. Lange's article in the German Wikipedia mentions a conservatory at Erfurt, but this was not founded before 1911. The nearest to Erfurt would have been at Leipzig. The French Wikipedia mentions the following names of teachers, and these were all involved as teachers at the Berlin institute. 
- ^ Brown, James Duff: Biographical Dictionary of Musicians (Paisley and London: Alexander Gardner, 1886; reprint Hildesheim: Georg Olms Verlag, 1970), p. 374. 
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