All Night Session! Vol. 2

All Night Session! Vol. 2
All Night Session! Vol. 2
Studio album by Hampton Hawes Quartet
Released	1958
Recorded	November 12–13, 1956
Studio	Contemporary's Studio in Los Angeles, California
Genre	Jazz
Length	39:00
Label	Contemporary
Producer	Lester Koenig
Hampton Hawes chronology

All Night Session! Vol. 2 is the second album by pianist Hampton Hawes from a session recorded the night of November 12/13, 1956 at Contemporary's Studios in Los Angeles and released on the Contemporary label.^[1]

Reception

Professional ratings
Review scores
Source	Rating
Allmusic	^[2]
The Rolling Stone Jazz Record Guide	^[3]
Tom Hull	B+ ()^[4]
The Penguin Guide to Jazz Recordings	^[5]

The Allmusic review states "In 1958 Hawes was quoted as saying "It's hard to put into words how good it feels to play jazz when it's really swinging...I've reached a point where the music fills you up so much emotionally that you feel like shouting hallelujah -- like people do in church when they're converted to God. That's the way I was feeling the night we recorded All Night Session!" ".^[2]

Track listing

Side one
No.	Title	Writer(s)	Length
1.	"I'll Remember April"	Don Raye Gene de Paul Patricia Johnston	7:02
2.	"I Should Care"	Axel Stordahl Paul Weston Sammy Cahn	4:23
3.	"Woody 'n' You"	Dizzy Gillespie	5:41
4.	"Two Bass Hit"	Gillespie John Lewis	2:50

Side two
No.	Title	Writer(s)	Length
1.	"Will You Still Be Mine?"	Matt Dennis Tom Adair	6:55
2.	"April in Paris"	Vernon Duke Yip Harburg	7:30
3.	"Blue 'n' Boogie"	Gillespie Frank Paparelli	8:11
Total length:			39:00

Personnel

Hampton Hawes – piano
Jim Hall – guitar
Red Mitchell – bass
Eldridge Freeman – drums

References

^ Hampton Hawes discography accessed July 29, 2015
^ ^a ^b arwulf, arwulf. All Night Session!, Vol. 2 – Review at AllMusic. Retrieved July 29, 2015.
^ Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 97. ISBN 0-394-72643-X.
^ Hull, Tom (July 13, 2020). "Music Week". Tom Hull – on the Web. Retrieved July 15, 2020.
^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 665. ISBN 978-0-141-03401-0.

[Hampton_Hawes_discography-1] Hampton Hawes discography accessed July 29, 2015

[Allmusic-2] rwulf, arwulf. All Night Session!, Vol. 2 – Review at AllMusic. Retrieved July 29, 2015.

[RSJRG-3] Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 97. ISBN 0-394-72643-X.

[Hull-4] Hull, Tom (July 13, 2020). "Music Week". Tom Hull – on the Web. Retrieved July 15, 2020.

[Penguin-5] Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 665. ISBN 978-0-141-03401-0.

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Hampton Hawes
Years given are for the recording(s), not release.
Albums as leader	Hampton Hawes Trio (1955) This Is Hampton Hawes (1955–56) Everybody Likes Hampton Hawes (1956) All Night Session! Vol. 1 (1956) (1956) All Night Session! Vol. 3 (1956) Baritones and French Horns/Curtis Fuller and Hampton Hawes with French Horns (1957) Four! (1958) Bird Song (1956–58) For Real! (1958) The Sermon (1958) The Green Leaves of Summer (1964) Here and Now (1965) The Seance (1966) I'm All Smiles (1966) Universe (1972) Blues for Walls (1973) Playin' in the Yard (1973) Northern Windows (1974) As Long as There's Music (1976) Something Special (1976) Hampton Hawes at the Piano (1976)
Sideman with others	Gene Ammons and Friends at Montreux (1973) I'll Catch the Sun! (Sonny Criss, 1969) On the Road (Art Farmer, 1976) The Hunt (Dexter Gordon, 1947) Blues à la Suisse (Dexter Gordon, 1973) Kessel Plays Standards (Barney Kessel, 1955) Let's Cook! (Barney Kessel, 1957) Live in Hollywood (Warne Marsh, 1952) Mingus Three (Charles Mingus, 1957) Stratosonic Nuances (Blue Mitchell, 1975) The Early Show (Art Pepper, 1952) Surf Ride (Art Pepper, 1952) Living Legend (Art Pepper, 1976) Modern Sounds (Shorty Rogers, 1951) Shorty Rogers and His Giants (1953) Bud Shank – Shorty Rogers – Bill Perkins (1955) Sonny Rollins and the Contemporary Leaders (1958) So Doggone Good (Sonny Stitt, 1972)