| Artist  |  Span  |  Work  |  Date  |  Medium  | 
  | Ivan Albright  |  1925-1983  |  works unknown, maybe a traveling exhibition  |  date unknown  |  oil on canvas  | 
  | Andrea di Bartolo  |  active 1389–1428  |  Madonna and Child[1]  |  date unknown  |  tempera on panel  | 
  | Barna da Siena  |  active c. 1330–1350  |  Christ Bearing the Cross, with a Dominican Friar[2]  |  c. 1350–1360  |  tempera on panel, cradled  | 
  | Lazzaro Bastiani  |  active c. 1425–1512  |  Adoration of the Magi[3]  |  1470–1479  |  tempera on poplar panel  | 
  | Gentile Bellini  |  c. 1429–1507  |  Doge Giovanni Mocenigo[4]  |  1478–1485  |  tempera on poplar panel  | 
  | Giovanni Bellini  |  c. 1430–1516  |   St. Francis in the Desert[5]  |  c. 1476–1478  |  tempera on poplar panel  | 
  | Francesco Botticini  |  15th century  |  The Resurrection[6]  |  1465–1470  |  tempera on poplar panel, cradled  | 
  | François Boucher  |  1703–1770  |  A Lady on Her Day Bed[7]  |  1743  |  oil on canvas  | 
  | François Boucher  |  1703–1770  |  The Four Seasons: Spring[8]  |  1755  |  oil on canvas  | 
  | François Boucher  |  1703–1770  |  The Four Seasons: Summer[8]  |  1755  |  oil on canvas  | 
  | François Boucher  |  1703–1770  |  The Four Seasons: Autumn[9]  |  1755  |  oil on canvas  | 
  | François Boucher  |  1703–1770  |  The Four Seasons: Winter[9]  |  1755  |  oil on canvas  | 
  | François Boucher and workshop  |  1703–1770  |  The Arts and Sciences: Astronomy and Hydraulics[10]  |  1750–1753  |  oil on canvas  | 
  | François Boucher and workshop  |  1703–1770  |  The Arts and Sciences: Poetry and Music[10]  |  1750–1753  |  oil on canvas  | 
  | François Boucher and workshop  |  1703–1770  |  The Arts and Sciences: Fowling and Horticulture[11]  |  1750–1753  |  oil on canvas  | 
  | François Boucher and workshop  |  1703–1770  |  The Arts and Sciences: Fishing and Hunting[11]  |  1750–1753  |  oil on canvas  | 
  | François Boucher and workshop  |  1703–1770  |  The Arts and Sciences: Architecture and Chemistry[12]  |  1750–1753  |  oil on canvas  | 
  | François Boucher and workshop  |  1703–1770  |  The Arts and Sciences: Painting and Sculpture[12]  |  1750–1753  |  oil on canvas  | 
  | François Boucher and workshop  |  1703–1770  |  The Arts and Sciences: Comedy and Tragedy[13]  |  1750–1753  |  oil on canvas  | 
  | François Boucher and workshop  |  1703–1770  |  The Arts and Sciences: Singing and Dancing[13]  |  1750–1753  |  oil on canvas  | 
  | François Boucher, workshop of  |  1703–1770  |  Girl with Roses[14]  |  1760s  |  oil on canvas  | 
  | Agnolo Bronzino  |  1503–1572  |  Lodovico Capponi[15]  |  1550–1555  |  oil on poplar panel  | 
  | Pieter Bruegel the Elder  |  active 1551–1569  |  The Three Soldiers[16]  |  1568  |  oil on oak panel  | 
  | Willem Buytewech, attributed  |  c. 1591−1624  |  The Jovial Company[17]  |  c. 1622–1624  |  oil on canvas  | 
  | Eugène Carrière  |  1849–1906  |  Motherhood[18]  |  1880s  |  oil on canvas  | 
  | Jean-Baptiste-Siméon Chardin  |  1699−1779  |  Lady with a Bird-Organ[19]  |  1753  |  oil on canvas  | 
  | Jean-Baptiste-Siméon Chardin  |  1699−1779  |  Still Life with Plums[20]  |  1728  |  oil on canvas  | 
  | Cimabue  |  c. 1240 – c. 1302  |  The Flagellation of Christ[21]  |  c. 1280  |  tempera on poplar panel  | 
  | Claude Lorrain  |  1604–1682  |  The Sermon on the Mount[22]  |  c. 1656  |  oil on canvas  | 
  | John Constable  |  1776–1837  |  Salisbury Cathedral from the Bishop's Garden[23]  |  1826  |  oil on canvas  | 
  | John Constable  |  1776–1837  |  The White Horse[24]  |  1819  |  oil on canvas  | 
  | Jean-Baptiste-Camille Corot  |  1796–1875  |  The Arch of Constantine and the Forum, Rome[25]  |  1843  |  oil on paper mounted on canvas  | 
  | Jean-Baptiste-Camille Corot  |  1796–1875  |  The Boatman of Mortefontaine[26]  |  c. 1865–1870  |  oil on canvas  | 
  | Jean-Baptiste-Camille Corot  |  1796–1875  |  The Lake[27]  |  1861  |  oil on canvas  | 
  | Jean-Baptiste-Camille Corot  |  1796–1875  |  The Pond[28]  |  c. 1868–1870  |  oil on canvas  | 
  | Jean-Baptiste-Camille Corot  |  1796–1875  |  Ville-d'Avray[29]  |  c. 1860  |  oil on canvas  | 
  | Francis Cotes  |  1726–1770  |  Francis Vernon[30]  |  1757  |  pastel on paper affixed to canvas  | 
  | Francis Cotes  |  1726–1770  |  The Hon. Booth Grey[31]  |  1764  |  oil on canvas  | 
  | Aelbert Cuyp  |  1620–1691  |  Cows and Herdsman by a River[32]  |  After 1650  |  oil on oak panel  | 
  | Aelbert Cuyp  |  1620–1691  |  Dordrecht: Sunrise[33]  |  c. 1650  |  oil on canvas  | 
  | Aelbert Cuyp  |  1620–1691  |  River Scene[34]  |  date unknown  |  oil on oak panel  | 
  | Charles-François Daubigny  |  1817–1878  |  Dieppe[35]  |  1877  |  oil on canvas  | 
  | Charles-François Daubigny  |  1817–1878  |  The Washerwomen[36]  |  1870–1874  |  oil on canvas  | 
  | Gerard David  |  active 1484–1523  |  The Deposition[37]  |  c. 1495–1500  |  oil on linen  | 
  | Jacques-Louis David  |  1748−1825  |  Comtesse Daru[38]  |  1810  |  oil on canvas  | 
  | Césarine-Henriette-Flore Davin-Mirvault  |  1773–1844  |  Antonio Bartolomeo Bruni[39]  |  c. 1804  |  oil on canvas  | 
  | Edgar Degas  |  1834–1917  |  The Rehearsal[40]  |  1878–1879  |  oil on canvas  | 
  | François-Hubert Drouais  |  1727–1775  |  The Comte and Chevalier de Choiseul as Savoyards[41]  |  1758  |  oil on canvas  | 
  | Duccio di Buoninsegna  |  c. 1255 – c. 1319  |  The Temptation of Christ on the Mountain[42]  |  1308–1311  |  tempera on poplar panel  | 
  | Jules Dupré  |  1811–1889  |  The River[43]  |  date unknown  |  oil on canvas  | 
  | James Whitney Fosburgh  |  1910–1978  |  View of Montauk[44]  |  date unknown  |  oil on canvas  | 
  | Jean-Honoré Fragonard  |  1732–1806  |  The Progress of Love: The Pursuit[45]  |  1771–1772  |  oil on canvas  | 
  | Jean-Honoré Fragonard  |  1732–1806  |  The Progress of Love: The Meeting[46]  |  1771–1772  |  oil on canvas  | 
  | Jean-Honoré Fragonard  |  1732–1806  |  The Progress of Love: The Lover Crowned[47]  |  1771–1772  |  oil on canvas  | 
  | Jean-Honoré Fragonard  |  1732–1806  |  The Progress of Love: Love Letters[48]  |  1771–1772  |  oil on canvas  | 
  | Jean-Honoré Fragonard  |  1732–1806  |  The Progress of Love: Reverie[49]  |  1790–1791  |  oil on canvas  | 
  | Jean-Honoré Fragonard  |  1732–1806  |  The Progress of Love: Love Triumphant[50]  |  1790–1791  |  oil on canvas  | 
  | Jean-Honoré Fragonard  |  1732–1806  |  The Progress of Love: Love the Avenger[51]  |  1790–1791  |  oil on canvas  | 
  | Jean-Honoré Fragonard  |  1732–1806  |  The Progress of Love: Love Pursuing a Dove[51]  |  1790–1791  |  oil on canvas  | 
  | Jean-Honoré Fragonard  |  1732–1806  |  The Progress of Love: Love the Jester[51]  |  1790–1791  |  oil on canvas  | 
  | Jean-Honoré Fragonard  |  1732–1806  |  The Progress of Love: Love the Sentinel[51]  |  1790–1791  |  oil on canvas  | 
  | Jean-Honoré Fragonard  |  1732–1806  |  The Progress of Love: Hollyhocks (4 panels)[52]  |  1790–1791  |  oil on canvas  | 
  | French, Probably Burgundian  |  14th century  |  Virgin and Child[53]  |  c. 1390–1400  |  oil and tempera on panel  | 
  | French, Probably South of France  |  15th century  |  Pietà with Donor[54]  |  15th century  |  tempera or mixed technique on panel  | 
  | Thomas Gainsborough  |  1727–1788  |  Grace Dalrymple Elliott[55]  |  c. 1782  |  oil on canvas  | 
  | Thomas Gainsborough, attributed  |  1727–1788  |  Mrs. Charles Hatchett[56]  |  c. 1786  |  oil on canvas  | 
  | Thomas Gainsborough  |  1727–1788  |  Mrs. Peter William Baker[57]  |  1781  |  oil on canvas  | 
  | Thomas Gainsborough  |  1727–1788  |  Richard Paul Jodrell[58]  |  c. 1774  |  oil on canvas  | 
  | Thomas Gainsborough  |  1727–1788  |  Sarah, Lady Innes[59]  |  c. 1757  |  oil on canvas  | 
  | Thomas Gainsborough  |  1727–1788  |  The Hon. Frances Duncombe[60]  |  c. 1777  |  oil on canvas  | 
  | Thomas Gainsborough  |  1727–1788  |  The Mall in St. James's Park[61]  |  c. 1783  |  oil on canvas  | 
  | Gentile da Fabriano  |  c. 1385 – before 1427  |  Madonna and Child, with Saints Lawrence and Julian[62]  |  1423–1425  |  tempera on panel, cradled  | 
  | Baron François Gérard  |  1770–1837  |  Portrait of Camillo Borghese[63]  |  c. 1810  |  oil on canvas  | 
  | Francisco de Goya  |  1746–1828  |  An Officer (Conde de Teba?)[64]  |  c. 1804 (?)  |  oil on canvas  | 
  | Francisco de Goya  |  1746–1828  |  Don Pedro, Duque de Osuna[65]  |  c. 1790s  |  oil on canvas  | 
  | Francisco de Goya  |  1746–1828  |  Portrait of a Lady (María Martínez de Puga?)[66]  |  1824  |  oil on canvas  | 
  | Francisco de Goya  |  1746–1828  |   The Forge[67]  |  c. 1815–1820  |  oil on canvas  | 
  | El Greco  |  1541–1614  |   Purification of the Temple[68]  |  c. 1600  |  oil on canvas  | 
  | El Greco  |  1541–1614  |  St. Jerome[69]  |  1590–1600  |  oil on canvas  | 
  | El Greco  |  1541–1614  |   Vincenzo Anastagi[70]  |  1571–1576  |  oil on canvas  | 
  | Jean-Baptiste Greuze  |  1725−1805  |  Madame Baptiste Aîné[71]  |  c. 1799  |  pastel on cream paper  | 
  | Jean-Baptiste Greuze  |  1725−1805  |  Baptiste Aîné[72]  |  c. 1799  |  pastel on cream paper  | 
  | Jean-Baptiste Greuze  |  1725−1805  |  The Wool Winder[73]  |  c. 1759  |  oil on canvas  | 
  | Francesco Guardi  |  1712–1793  |  Regatta in Venice[74]  |  c. 1770  |  oil on canvas  | 
  | Francesco Guardi  |  1712–1793  |   View of the Cannaregio Canal in Venice[75]  |  c. 1770  |  oil on canvas  | 
  | Frans Hals  |  1581/1585–1666  |  Portrait of a Man[76]  |  c. 1660  |  oil on canvas  | 
  | Frans Hals  |  1581/1585–1666  |  Portrait of a Painter[77]  |  early 1650s  |  oil on canvas  | 
  | Frans Hals  |  1581/1585–1666  |  Portrait of a Woman[78]  |  1635  |  oil on canvas  | 
  | Frans Hals  |  1581/1585–1666  |  Portrait of an Elderly Man[79]  |  1627–1630  |  oil on canvas  | 
  | Meyndert Hobbema  |  1638–1709  |  Village among Trees[80]  |  1665  |  oil on oak panel  | 
  | Meyndert Hobbema  |  1638–1709  |  Village with Water Mill among Trees[81]  |  c. 1665  |  oil on canvas  | 
  | William Hogarth  |  1697–1764  |  Miss Mary Edwards[82]  |  1742  |  oil on canvas  | 
  | Hans Holbein the Younger  |  1497/1498–1543  |   Sir Thomas More[83]  |  1527  |  oil on oak panel  | 
  | Hans Holbein the Younger  |  1497/1498–1543  |   Thomas Cromwell[84]  |  1532–1533  |  oil on oak panel  | 
  | John Hoppner  |  1758–1810  |  The Hon. Lucy Byng[85]  |  c. 1790  |  oil on canvas  | 
  | John Hoppner  |  1758–1810  |  The Ladies Sarah and Catherine Bligh[86]  |  c. 1790  |  oil on canvas  | 
  | Jean-Auguste-Dominique Ingres  |  1780–1867  |   Comtesse d'Haussonville[87]  |  1845  |  oil on canvas  | 
  | John C. Johansen  |  1876–1964  |  Henry Clay Frick[88]  |  1943  |  oil on canvas  | 
  | Gerald Kelly  |  1879–1972  |  Portrait of Henry Clay Frick[89]  |  1924  |  oil on canvas  | 
  | Jacques de Lajoue, attributed  |  1687–1761  |  Seven Decorative Panels[90]  |  c. 1730–1740  |  oil on canvas  | 
  | Georges de La Tour, studio of  |  1593–1652  |  The Education of the Virgin[91]  |  c. 1650  |  oil on canvas  | 
  | Thomas Lawrence  |  1769–1830  |  Julia, Lady Peel[92]  |  1827  |  oil on canvas  | 
  | Thomas Lawrence  |  1769–1830  |  Miss Louisa Murray[93]  |  after 1827  |  oil on canvas  | 
  | Jean-Étienne Liotard  |  1702–1789  |  Trompe l'Oeil[94]  |  1771  |  oil on silk transferred to canvas  | 
  | Fra Filippo Lippi  |  c. 1406–1469  |  The Annunciation[95]  |  c. 1440  |  tempera on poplar panels  | 
  | Nicholas Lochoff  |  1872–1948  |  Madonna and Child with Saint Francis and Saint John[96]  |  1928–1930  |    | 
  | Édouard Manet  |  1832–1883  |  The Bullfight[97]  |  1864  |  oil on canvas  | 
  | Jacobus Hendrikus Maris  |  1837–1899  |  The Bridge[98]  |  1885  |  oil on canvas  | 
  | Anton Mauve  |  1838–1888  |  Early Morning Ploughing[99]  |  c. 1875  |  oil on canvas  | 
  | Hans Memling  |  c. 1430–1494  |  Portrait of a Man[100]  |  c. 1470–1475  |  oil on oak panel  | 
  | Gabriel Metsu  |  1629–1667  |  A Lady at Her Toilet[101]  |  c. 1660  |  oil on canvas  | 
  | Jean-François Millet  |  1814–1875  |  Woman Sewing by Lamplight[102]  |  1870–1872  |  oil on canvas  | 
  | Claude-Oscar Monet  |  1840–1926  |  Vétheuil in Winter[103]  |  1878–1879  |  oil on canvas  | 
  | Giovanni Battista Moroni  |  c. 1520/1524–1579/1580  |  Portrait of a Woman[104]  |  c. 1575  |  oil on canvas  | 
  | Bartolomé Esteban Murillo  |  1617–1682  |  Self-Portrait[105]  |  c. 1650–1655  |  oil on canvas  | 
  | Jean-Marc Nattier  |  1685–1766  |  Elizabeth, Countess of Warwick[106]  |  1754  |  oil on canvas  | 
  | William Orpen  |  1878–1931  |  Portrait of Andrew W. Mellon[107]  |  1924  |  oil on canvas  | 
  | Isack van Ostade  |  1621–1649  |  Travelers Halting at an Inn[108]  |  date unknown  |  oil on oak panel  | 
  | Jean-Baptiste Pater  |  1695–1736  |  Procession of Italian Comedians[109]  |  date unknown  |  oil on canvas  | 
  | Jean-Baptiste Pater  |  1695–1736  |  The Village Orchestra[109]  |  date unknown  |  oil on canvas  | 
  | Piero della Francesca  |  c. 1415–1492  |  Augustinian Friar[110]  |  date unknown  |  tempera on poplar panel  | 
  | Piero della Francesca  |  c. 1415–1492  |  Augustinian Nun[110]  |  date unknown  |  tempera on poplar panel  | 
  | Piero della Francesca  |  c. 1415–1492  |  St. John the Evangelist[111]  |  c. 1454–1469  |  tempera on poplar panel  | 
  | Piero della Francesca  |  c. 1415–1492  |  The Crucifixion[112]  |  date unknown  |  tempera on poplar panel  | 
  | Carel van der Pluym  |  1625–1672  |  Old Woman with a Book[113]  |  date unknown  |  oil on canvas  | 
  | Henry Raeburn  |  1756–1823  |  Alexander Allan[114]  |  c. 1815  |  oil on canvas  | 
  | Henry Raeburn  |  1756–1823  |  James Cruikshank[115]  |  1805–1808  |  oil on canvas  | 
  | Henry Raeburn  |  1756–1823  |  Mrs. James Cruikshank[116]  |  1805–1808  |  oil on canvas  | 
  | Rembrandt van Rijn  |  1606–1669  |  Nicolaes Ruts[117]  |  1631  |  oil on mahogany panel  | 
  | Rembrandt van Rijn  |  1606–1669  |  Self-Portrait[118]  |  1658  |  oil on canvas  | 
  | Rembrandt van Rijn  |  1606–1669  |  The Polish Rider[119]  |  c. 1655  |  oil on canvas  | 
  | Rembrandt van Rijn, follower of  |  1606–1669  |  Portrait of a Young Artist[120]  |  date unknown  |  oil on canvas  | 
  | Pierre-Auguste Renoir  |  1841–1919  |  La Promenade[121]  |  1875–1876  |  oil on canvas  | 
  | Joshua Reynolds  |  1723–1792  |  Elizabeth, Lady Taylor[122]  |  c. 1780  |  oil on canvas  | 
  | Joshua Reynolds  |  1723–1792  |  General John Burgoyne[123]  |  c. 1766  |  oil on canvas  | 
  | Joshua Reynolds  |  1723–1792  |  Lady Cecil Rice[124]  |  1762  |  oil on canvas  | 
  | Joshua Reynolds  |  1723–1792  |  Selina, Lady Skipwith[125]  |  1787  |  oil on canvas  | 
  | George Romney  |  1734–1802  |  Charlotte, Lady Milnes[126]  |  1788–1792  |  oil on canvas  | 
  | George Romney  |  1734–1802  |  Henrietta, Countess of Warwick, and Her Children[127]  |  1787–1789  |  oil on canvas  | 
  | George Romney  |  1734–1802  |  Lady Hamilton as 'Nature'[128]  |  1782  |  oil on canvas  | 
  | George Romney  |  1734–1802  |  Miss Frances Mary Harford[129]  |  1780–1783  |  oil on canvas  | 
  | George Romney  |  1734–1802  |  Miss Mary Finch-Hatton[130]  |  1788  |  oil on canvas  | 
  | Théodore Rousseau  |  1812–1867  |  The Village of Becquigny[131]  |  c. 1857  |  oil on mahogany panel  | 
  | Peter Paul Rubens, follower of  |  1577–1640  |  A Knight of the Order of the Golden Fleece[132]  |  date unknown  |  oil on canvas  | 
  | Jacob van Ruisdael  |  c. 1629–1682  |  Landscape with a Footbridge[133]  |  1652  |  oil on canvas  | 
  | Jacob van Ruisdael  |  c. 1629–1682  |  Quay at Amsterdam[134]  |  c. 1670  |  oil on canvas  | 
  | Salomon van Ruysdael  |  c. 1602–1670  |  Landscape with Farmhouse[135]  |  1628  |  oil on panel  | 
  | Salomon van Ruysdael  |  c. 1602–1670  |  River Scene: Men Dragging a Net[136]  |  c. 1667  |  oil on canvas  | 
  | Gabriel de Saint-Aubin  |  1724–1780  |  The Private Academy[137]  |  c. 1755  |  oil on panel  | 
  | Gerard van Spaendonck  |  1746–1822  |  Grapes with Insects on a Marble Top[138]  |  1791–1795  |  oil on marble  | 
  | Gilbert Stuart  |  1755–1828  |  George Washington[139]  |  1795–1796  |  oil on canvas  | 
  | Gerard ter Borch  |  1617–1681  |  Portrait of a Young Lady[140]  |  c. 1665–1670  |  oil on canvas  | 
  | Frits Thaulow  |  1847−1906  |  Winter in Norway[141]  |  c. 1895  |  oil on canvas  | 
  | Giovanni Battista Tiepolo  |  1696–1770  |  Perseus and Andromeda[142]  |  c. 1730–1731  |  oil on paper affixed to canvas  | 
  | Jacopo Tintoretto, circle of  |  1518–1594  |  Portrait of a Venetian Procurator[143]  |  date unknown  |  oil on canvas  | 
  | Titian  |  c. 1488–1576  |  Pietro Aretino[144]  |  c. 1537  |  oil on canvas  | 
  | Titian  |  c. 1488–1576  |  Portrait of a Man in a Red Cap[145]  |  c. 1510  |  oil on canvas  | 
  | Constant Troyon  |  1810–1865  |  A Pasture in Normandy[146]  |  1850s  |  oil on panel  | 
  | Joseph Mallord William Turner  |  1775–1851  |  Antwerp: Van Goyen Looking Out for a Subject[147]  |  1833  |  oil on canvas  | 
  | Joseph Mallord William Turner  |  1775–1851  |  Cologne, the Arrival of a Packet-Boat: Evening[148]  |  1826  |  oil on canvas  | 
  | Joseph Mallord William Turner  |  1775–1851  |  Fishing Boats Entering Calais Harbor[149]  |  c. 1803  |  oil on canvas  | 
  | Joseph Mallord William Turner  |  1775–1851  |  Mortlake Terrace: Early Summer Morning[150]  |  1826  |  oil on canvas  | 
  | Joseph Mallord William Turner  |  1775–1851  |  The Harbor of Dieppe: Changement de Domicile[151]  |  1825–1826  |  oil on canvas  | 
  | Jan van de Cappelle, follower of  |  c. 1624 – c. 1679  |  A View of the River Maas before Rotterdam[152]  |  c. 1645–1665  |  oil on oak panel, cradled  | 
  | Hendrick van der Burgh, attributed  |  active 1649 – after 1669  |  Drinkers before the Fireplace[153]  |  c. 1660  |  oil on canvas  | 
  | Anthony van Dyck  |  1599–1641  |  Frans Snyders[154]  |  c. 1620  |  oil on canvas  | 
  | Anthony van Dyck  |  1599–1641  |  Genoese Noblewoman[155]  |  1625–1627  |  oil on canvas  | 
  | Anthony van Dyck  |  1599–1641  |  James Stanley, Lord Strange, Later Seventh Earl of Derby, with His Wife, Charlotte, and Their Daughter[156]  |  c. 1636  |  oil on canvas  | 
  | Anthony van Dyck  |  1599–1641  |  Lady Anne Carey, Later Viscountess Claneboye and Countess of Clanbrassil[157]  |  c. 1636  |  oil on canvas  | 
  | Anthony van Dyck  |  1599–1641  |  Marchesa Giovanna Cattaneo[158]  |  1622–1627  |  oil on canvas  | 
  | Anthony van Dyck  |  1599–1641  |  Margareta de Vos[159]  |  c. 1620  |  oil on canvas  | 
  | Anthony van Dyck  |  1599–1641  |  Ottaviano Canevari[160]  |  1627  |  oil on canvas  | 
  | Anthony van Dyck  |  1599–1641  |  Sir John Suckling[161]  |  c. 1638  |  oil on canvas  | 
  | Jan van Eyck and workshop  |  active 1422–1441  |  Virgin and Child, with Saints and Donor[162]  |  c. 1441–1443  |  oil on panel  | 
  | Diego Velázquez  |  1599–1660  |  King Philip IV of Spain[163]  |  1644  |  oil on canvas  | 
  | Paolo Veneziano and his son Giovanni Veneziano  |  active 1321–1358  |  The Coronation of the Virgin[164]  |  1358  |  tempera on poplar panel  | 
  | Johannes Vermeer  |  1632–1675  |  Girl Interrupted at Her Music[165]  |  c. 1658–1659  |  oil on canvas  | 
  | Johannes Vermeer  |  1632–1675  |  Mistress and Maid[166]  |  1666−1667  |  oil on canvas  | 
  | Johannes Vermeer  |  1632–1675  |  Officer and Laughing Girl[167]  |  c. 1657  |  oil on canvas  | 
  | Paolo Veronese  |  1528–1588  |  The Choice Between Virtue and Vice[168]  |  c. 1565  |  oil on canvas  | 
  | Paolo Veronese  |  1528–1588  |  Wisdom and Strength[169]  |  c. 1565  |  oil on canvas  | 
  | Jean-Antoine Watteau  |  1684–1721  |  The Portal of Valenciennes[170]  |  c. 1710–1711  |  oil on canvas  | 
  | James McNeill Whistler  |  1834–1903  |  Arrangement in Black and Gold: Comte Robert de Montesquiou-Fezensac[171]  |  1891–1892  |  oil on canvas  | 
  | James McNeill Whistler  |  1834–1903  |  Arrangement in Brown and Black: Portrait of Miss Rosa Corder[172]  |  1876–1878  |  oil on canvas  | 
  | James McNeill Whistler  |  1834–1903  |   Harmony in Pink and Gray: Portrait of Lady Meux[173]  |  1881–1882  |  oil on canvas  | 
  | James McNeill Whistler  |  1834–1903  |  Symphony in Flesh Colour and Pink: Portrait of Mrs. Frances Leyland[174]  |  1871–1874  |  oil on canvas  | 
  | James McNeill Whistler  |  1834–1903  |  The Ocean[175]  |  1866  |  oil on canvas  | 
  | Konrad Witz, circle of  |  c. 1400 – c. 1447  |  Pietà[176]  |  c. 1440  |  tempera and oil on panel  | 
  | Philips Wouwerman  |  1619–1668  |  The Cavalry Camp[177]  |  date unknown  |  oil on oak panel  |